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Donât expect bell hooks to have BeyoncĂ© over for dinner anytime soon.
On Wednesday during a discussion titled âAre You Still a Slave?â hosted by the New School in New York City, the feminist scholar was joined by author and activist Janet Mock, filmmaker Shola Lynch and author Marci Blackman.
Somehow, as with many recent conversations dealing with feminism and black women, the topic shifted to BeyoncĂ©. This time it was about BeyoncĂ©âs controversial Time magazine cover and how black womenâs bodies are represented in the media.
At one point during the discussion, hooks equated BeyoncĂ© with a âterrorist.â
âI see a part of BeyoncĂ© that is, in fact, anti-feministâthat is, a terroristâespecially in terms of the impact on young girls,â hooks said.
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The writer and scholar raised a question about whether Beyoncé had control over her image on the Time cover.
âLetâs take the image of this super-rich, very powerful black female and letâs use it in the service of imperialist, white supremacist capitalist patriarchy because she probably had very little control over that coverâthat image,â said hooks.
Mock spoke in BeyoncĂ©âs defense, arguing that BeyoncĂ© was likely in full control of her image. âI would argue she chose this image, so I donât want to strip BeyoncĂ© of choosing this imageâof being her own manager.â
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In hooksâ eyes, BeyoncĂ© not only may not have been in control of her image but was a slave to it. âThen you are saying,â hooks said in reply to Mockâs point, "from my deconstructive point of view, that she is colluding in the construction of herself as a slave.â
It was interesting to watch these women tackle Beyoncé as a subject, especially when there are probably more pressing issues facing those who describe themselves as feminists.
Mock said she was inspired by BeyoncĂ©âs song âPartitionâ because it enabled her to deal with writing about issues of abuse and sexuality, but hooks wasnât buying the idea of BeyoncĂ©âs impact being positive.
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Although everyone has her or his own ideas about what it means to be a feminist, the discussion offered new perspective on exactly who controls someoneâs image.
Yesha Callahan is editor of The Grapevine and a staff writer at The Root. Follow her on Twitter.
